diff --git a/doc/classes/Environment.xml b/doc/classes/Environment.xml
index e0839218064..5c081e09561 100644
--- a/doc/classes/Environment.xml
+++ b/doc/classes/Environment.xml
@@ -314,13 +314,14 @@
 			The maximum number of steps for screen-space reflections. Higher values are slower.
 		</member>
 		<member name="tonemap_exposure" type="float" setter="set_tonemap_exposure" getter="get_tonemap_exposure" default="1.0">
-			The default exposure used for tonemapping. Higher values result in a brighter image. See also [member tonemap_white].
+			Adjusts the brightness of values before they are provided to the tonemapper. Higher [member tonemap_exposure] values result in a brighter image. See also [member tonemap_white].
+			[b]Note:[/b] Values provided to the tonemapper will also be multiplied by [code]2.0[/code] and [code]1.8[/code] for [constant TONE_MAPPER_FILMIC] and [constant TONE_MAPPER_ACES] respectively to produce a similar apparent brightness as [constant TONE_MAPPER_LINEAR].
 		</member>
 		<member name="tonemap_mode" type="int" setter="set_tonemapper" getter="get_tonemapper" enum="Environment.ToneMapper" default="0">
 			The tonemapping mode to use. Tonemapping is the process that "converts" HDR values to be suitable for rendering on an LDR display. (Godot doesn't support rendering on HDR displays yet.)
 		</member>
 		<member name="tonemap_white" type="float" setter="set_tonemap_white" getter="get_tonemap_white" default="1.0">
-			The white reference value for tonemapping (also called "whitepoint"). Higher values can make highlights look less blown out, and will also slightly darken the whole scene as a result. See also [member tonemap_exposure].
+			The white reference value for tonemapping, which indicates where bright white is located in the scale of values provided to the tonemapper. For photorealistic lighting, recommended values are between [code]6.0[/code] and [code]8.0[/code]. Higher values result in less blown out highlights, but may make the scene appear lower contrast. See also [member tonemap_exposure].
 			[b]Note:[/b] [member tonemap_white] is ignored when using [constant TONE_MAPPER_LINEAR] or [constant TONE_MAPPER_AGX].
 		</member>
 		<member name="volumetric_fog_albedo" type="Color" setter="set_volumetric_fog_albedo" getter="get_volumetric_fog_albedo" default="Color(1, 1, 1, 1)">
@@ -414,20 +415,22 @@
 			Use the [Sky] for reflections regardless of what the background is.
 		</constant>
 		<constant name="TONE_MAPPER_LINEAR" value="0" enum="ToneMapper">
-			Linear tonemapper operator. Reads the linear data and passes it on unmodified. This can cause bright lighting to look blown out, with noticeable clipping in the output colors.
+			Does not modify color data, resulting in a linear tonemapping curve which unnaturally clips bright values, causing bright lighting to look blown out. The simplest and fastest tonemapper.
 		</constant>
 		<constant name="TONE_MAPPER_REINHARDT" value="1" enum="ToneMapper">
-			Reinhard tonemapper operator. Performs a variation on rendered pixels' colors by this formula: [code]color = color * (1 + color / (white * white)) / (1 + color)[/code]. This avoids clipping bright highlights, but the resulting image can look a bit dull. When [member tonemap_white] is left at the default value of [code]1.0[/code] this is identical to [constant TONE_MAPPER_LINEAR] while also being slightly less performant.
+			A simple tonemapping curve that rolls off bright values to prevent clipping. This results in an image that can appear dull and low contrast. Slower than [constant TONE_MAPPER_LINEAR].
+			[b]Note:[/b] When [member tonemap_white] is left at the default value of [code]1.0[/code], [constant TONE_MAPPER_REINHARDT] produces an identical image to [constant TONE_MAPPER_LINEAR].
 		</constant>
 		<constant name="TONE_MAPPER_FILMIC" value="2" enum="ToneMapper">
-			Filmic tonemapper operator. This avoids clipping bright highlights, with a resulting image that usually looks more vivid than [constant TONE_MAPPER_REINHARDT].
+			Uses a film-like tonemapping curve to prevent clipping of bright values and provide better contrast than [constant TONE_MAPPER_REINHARDT]. Slightly slower than [constant TONE_MAPPER_REINHARDT].
 		</constant>
 		<constant name="TONE_MAPPER_ACES" value="3" enum="ToneMapper">
-			Use the Academy Color Encoding System tonemapper. ACES is slightly more expensive than other options, but it handles bright lighting in a more realistic fashion by desaturating it as it becomes brighter. ACES typically has a more contrasted output compared to [constant TONE_MAPPER_REINHARDT] and [constant TONE_MAPPER_FILMIC].
+			Uses a high-contrast film-like tonemapping curve and desaturates bright values for a more realistic appearance. Slightly slower than [constant TONE_MAPPER_FILMIC].
 			[b]Note:[/b] This tonemapping operator is called "ACES Fitted" in Godot 3.x.
 		</constant>
 		<constant name="TONE_MAPPER_AGX" value="4" enum="ToneMapper">
-			Use the AgX tonemapper. AgX is slightly more expensive than other options, but it handles bright lighting in a more realistic fashion by desaturating it as it becomes brighter. AgX is less likely to darken parts of the scene compared to [constant TONE_MAPPER_ACES] and can match the overall scene brightness of [constant TONE_MAPPER_FILMIC] more closely.
+			Uses a film-like tonemapping curve and desaturates bright values for a more realistic appearance. Better than other tonemappers at maintaining the hue of colors as they become brighter. The slowest tonemapping option.
+			[b]Note:[/b] [member tonemap_white] is fixed at a value of [code]16.29[/code], which makes [constant TONE_MAPPER_AGX] unsuitable for use with the Mobile rendering method.
 		</constant>
 		<constant name="GLOW_BLEND_MODE_ADDITIVE" value="0" enum="GlowBlendMode">
 			Additive glow blending mode. Mostly used for particles, glows (bloom), lens flare, bright sources.
diff --git a/doc/classes/RenderingServer.xml b/doc/classes/RenderingServer.xml
index f968c302f4c..d4a1a67dea6 100644
--- a/doc/classes/RenderingServer.xml
+++ b/doc/classes/RenderingServer.xml
@@ -5393,20 +5393,22 @@
 			Use a simple fog model defined by start and end positions and a custom curve. While not physically accurate, this model can be useful when you need more artistic control.
 		</constant>
 		<constant name="ENV_TONE_MAPPER_LINEAR" value="0" enum="EnvironmentToneMapper">
-			Output color as they came in. This can cause bright lighting to look blown out, with noticeable clipping in the output colors.
+			Does not modify color data, resulting in a linear tonemapping curve which unnaturally clips bright values, causing bright lighting to look blown out. The simplest and fastest tonemapper.
 		</constant>
 		<constant name="ENV_TONE_MAPPER_REINHARD" value="1" enum="EnvironmentToneMapper">
-			Use the Reinhard tonemapper. Performs a variation on rendered pixels' colors by this formula: [code]color = color * (1 + color / (white * white)) / (1 + color)[/code]. This avoids clipping bright highlights, but the resulting image can look a bit dull. When [member Environment.tonemap_white] is left at the default value of [code]1.0[/code] this is identical to [constant ENV_TONE_MAPPER_LINEAR] while also being slightly less performant.
+			A simple tonemapping curve that rolls off bright values to prevent clipping. This results in an image that can appear dull and low contrast. Slower than [constant ENV_TONE_MAPPER_LINEAR].
+			[b]Note:[/b] When [member Environment.tonemap_white] is left at the default value of [code]1.0[/code], [constant ENV_TONE_MAPPER_REINHARD] produces an identical image to [constant ENV_TONE_MAPPER_LINEAR].
 		</constant>
 		<constant name="ENV_TONE_MAPPER_FILMIC" value="2" enum="EnvironmentToneMapper">
-			Use the filmic tonemapper. This avoids clipping bright highlights, with a resulting image that usually looks more vivid than [constant ENV_TONE_MAPPER_REINHARD].
+			Uses a film-like tonemapping curve to prevent clipping of bright values and provide better contrast than [constant ENV_TONE_MAPPER_REINHARD]. Slightly slower than [constant ENV_TONE_MAPPER_REINHARD].
 		</constant>
 		<constant name="ENV_TONE_MAPPER_ACES" value="3" enum="EnvironmentToneMapper">
-			Use the Academy Color Encoding System tonemapper. ACES is slightly more expensive than other options, but it handles bright lighting in a more realistic fashion by desaturating it as it becomes brighter. ACES typically has a more contrasted output compared to [constant ENV_TONE_MAPPER_REINHARD] and [constant ENV_TONE_MAPPER_FILMIC].
+			Uses a high-contrast film-like tonemapping curve and desaturates bright values for a more realistic appearance. Slightly slower than [constant ENV_TONE_MAPPER_FILMIC].
 			[b]Note:[/b] This tonemapping operator is called "ACES Fitted" in Godot 3.x.
 		</constant>
 		<constant name="ENV_TONE_MAPPER_AGX" value="4" enum="EnvironmentToneMapper">
-			Use the AgX tonemapper. AgX is slightly more expensive than other options, but it handles bright lighting in a more realistic fashion by desaturating it as it becomes brighter. AgX is less likely to darken parts of the scene compared to [constant ENV_TONE_MAPPER_ACES], and can match [constant ENV_TONE_MAPPER_FILMIC] more closely.
+			Uses a film-like tonemapping curve and desaturates bright values for a more realistic appearance. Better than other tonemappers at maintaining the hue of colors as they become brighter. The slowest tonemapping option.
+			[b]Note:[/b] [member Environment.tonemap_white] is fixed at a value of [code]16.29[/code], which makes [constant ENV_TONE_MAPPER_AGX] unsuitable for use with the Mobile rendering method.
 		</constant>
 		<constant name="ENV_SSR_ROUGHNESS_QUALITY_DISABLED" value="0" enum="EnvironmentSSRRoughnessQuality">
 			Lowest quality of roughness filter for screen-space reflections. Rough materials will not have blurrier screen-space reflections compared to smooth (non-rough) materials. This is the fastest option.